Norman Gambill Papers

Finding Aid

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Collection Summary

Identifier

UA 6.9.2

Title

Norman Gambill Papers as Head of the Department of Visual Arts

Creator

Norman Gambill

Dates

1940-2013

Extent

6.0 linear feet (6 records center boxes) photographs, electronic records, moving image materials

Language

English

Repository

South Dakota State University Archives and Special Collections, Hilton M. Briggs Library, Brookings, South Dakota.

Access note

This collection is open to researchers without restrictions. The materials in the Archives do not circulate and may be used in-house only.

Preferred Citation

Name of item . Norman Gambill Papers as Head of the Department of Visual Arts. UA 6.9.2. South Dakota State University Archives and Special Collections, Hilton M. Briggs Library, Brookings, South Dakota.

Abstract

Norman Gambill was a scholar in art history and film studies, he was head of the Visual Arts Department for 26 years retiring in 2010. This collections in composed of his while he was department head of Visual Arts at SDSU from 1984 to 2010. Also included are unpublished manuscripts, Ph.D. thesis, and personal legal documents.

Biographical Note

Norman Paul Gambill was born April 3, 1941 in Dade City, FL, to George Washington Gambill IV and Dorcas (Darling) Gambill. He grew up in Florida and Georgia.

He was a scholar in art history and film studies with degrees from Emory University, the University of Iowa and Syracuse University. His also graduated from Emory at Oxford prep school in Atlanta. He was an art history professor at the University of Illinois and South Dakota State University where he headed the Visual Arts Department for 26 years, retiring in 2010.

During his 48-year career, he taught thousands of undergraduate students to love art and understand its importance in world history. He also worked with graduate students on courses in Asian art, film art and design, women artists, and international films.

He was an ardent fan of Oscar Wilde and Orson Welles. His lectures and writings about Welles’s groundbreaking film “Citizen Kane” inspired many to take up film studies. His work as a scholar took him around the country giving lectures and around the world sharing his expertise with academics, particularly those who attended the Oxford Roundtable in 2010.

He published articles in scholarly journals and respected film magazines. His work on 1930s films and their importance in the cultural history of the United States is being published in his book, “Ritz and American Mediocrity.” He was initiated into Phi Kappa Phi, the national honor society for those with notable academic accomplishments, in 2006.

His innovative fund-raising events raised money for his department and the Brookings community. With the help of the Visual Arts Group of local volunteers, he founded the annual Evening for the Arts dinner and art auction. The yearly Chocolate Auction held on or around Valentine’s Day raised funds by with an auction of chocolate desserts donated by restaurants and local bakers. Proceeds provided scholarships for art students.

He also co-founded the annual DVAGI, Design and Visual Arts Group Inc., fundraiser in collaboration with the SDSU departments of Visual Arts, Apparel Merchandising and Interior Design, and Horticulture, Forestry and Landscape Design. Money from an auction of designers’ services raised money for students to travel to art and design events across the country.

His reputation for lavish parties carried over to his private life where he served abundant food and wine to friends from Brookings and across the country in his 19th Century house, a showplace for his extensive art collection.

He is survived by his brother Stephen, Palmetto FL; his sister, Janine Dover, Camilla, GA.; two nieces and a nephew. Hundreds of friends also survive and will miss his quick wit and impeccable sense of style.

Dr. Norman P. Gambill, died from heart failure on July 12, 2016, at the Neighborhoods at Brookview in Brookings.

Arrangement

This collection is arranged into eight series:

Series 1. Administrative files

Series 2. Curriculum

Series 3. Events and conferences

Series 4. Facilities

Series 5. Teaching (Gambill's personal files)

Series 6. Grants and fundraising

Series 7. Meeting files

Series 8. Personal and professional research and activities

Series 9. Manuscripts

Contents Note

Series 1. Administrative files.

Includes general correspondence, memos, Norman Gambill's calendars and appointment books and documents on department and course staffing, enrollment, and general planning. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 2. Curriculum.

Includes Institutional Program Reviews, general education, liberal studies, and visual arts core review, and various curricular issues and concerns. This subseries focuses on curriculum work at a campus level, through visual arts curriculum work discussed at campus-level meetings. For course-level curriculum planning and staffing, see the General Administrative subseries.

Series 3. Events and conferences.

Includes records on department art shows and exhibitions, the TechSigns conference, Design and Visual Arts Group, Inc. (DVAGI) events, and other departmental activities. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 4. Facilities.

Includes files on the Fine Arts Auditorium (not called the Performing Arts Center), the Visual Arts Department site including the Industrial Arts building and Grove Hall, facility studies, planning and remodeling, and facility maintenance and health concerns. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 5. Teaching (Gambill's personal files).

Includes course outlines, teaching research, course study guide packets, and VHS video of three course lectures. Some teaching materials pre-date Gambill's arrival at South Dakota State University.

Series 6. Grants and fundraising.

Includes records on grant applications, awarded grants, and fundraising for programs and publications. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 7. Meeting files.

Includes meeting agenda, minutes, and corresponding documents related to Visual Arts Department faculty meetings, Deans and Department Heads meetings, Academic Senate, and various other campus committees. Memoirs, correspondence, reports, and notes are included within these files and were likely discussed and/or distributed during the meetings. The arrived in disarray with only some bearing folder titles. Additionally, the term "Faculty Meetings" was broadly used and may refer to meetings beyond only Visual Arts Department meetings. For example, "Dean's and Departments Heads" meeting agendas may be found in "Faculty Meetings" folders, possibly for facilitating announcements at department faculty meetings. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 8. Personal and professional research and activities.

Includes Gambill's research and correspondence regarding his writings, files regarding membership and participation in local organizations, and professional recognition and thank-you correspondence. Also included is some personal correspondence, recognition material, a resume, and photographs. Some materials pre-date Gambill's arrival at South Dakota State University.

Series 9. Manuscripts.

Composed of unpublished manuscripts and Gambill’s Ph.D. thesis. Included are several revisions of “Ritz and American Mediocrity,” and “Designing Hollywood: Productions of Harry Horner, 1940-1980,” and “Citizen Kane: An Art Historical Analysis,” which was Gambills Ph.D. thesis from Syracuse University.

Bibliography

Art for a New Century
South Dakota Art Museum, Civic Fine Arts Center, 1989

Bohemian women from West River: Mel Spinar’s paintings of their myths and legends
Brookings, S.D.: Department of Visual Arts, South Dakota State University, c2000
Call Number SD Collection ND237.S645 G35 2000

Enhancing classroom effectiveness innovations in teaching
Brookings, S.D.: South Dakota State University
Call Number: SD Collection LB2331.E54 1995 video

Notes on the career of Professor Signe Stuart as she retires in 1994 from South Dakota State University
Brookings, S.D.: South Dakota Art Museum, 1994
Call Number: Archives N6537.S87 G35 1994

Totem ReeCall the movie II
Bruce Williams, Terry Ree, Jay Vanduch, Jo Edeburn-Nesmith, Matthew Feeney, Norman Gambill, TV Productions Inc.
Brookings, S.D.: TV Productions, Inc., 2000
Call Number: Audio Visual PN1997.T67 2000

Key Words

Gambill, Norman

South Dakota State University. Department of Visual Arts.

Container List

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Administrative Information

Conditions Governing Access

This collection is open to researchers without restrictions. The materials in the Archives do not circulate and may be used in-house only.

Researchers conducting extensive research are asked to make an advance appointment to access archival material. Please call or e-mail prior to visiting the collection and indicate as much detail as possible about a particular topic and intended use.

South Dakota State University supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted as a result of their fragile condition or by contractual agreements with donors.

Copyright note

Copyright restrictions apply in different ways to different materials. Many of the documents and other historical materials in the Archives are in the public domain and may be reproduced and used in any way. There are other materials in the Archive carrying a copyright interest and must be used according to the provisions of Title 17 of the U.S. Code. The Archive issues a warning concerning copyright restrictions to every researcher who requests copies of documents. Although the copyright law is under constant redefinition in the courts, it is ultimately the responsibility of the researcher to properly use copyrighted material.

Arranged and Described by

Crystal J. Gamradt, 2013 August 29. Additions were made on 2017 November 7.